PORNOTEOBRAZIL takes place in contemporary Brazil, in the scene of an accident or attack - it is not possible to say for sure. It is in this space of destruction and catastrophe that the play takes place. After such a traumatic situation, it is common for the subject to have his or her structures shaken, structures that constituted his own look at himself, his past, his present, and the future. After the trauma, which presents itself as a kind of installation made of debris, three scenes seek to address different aspects of the same trauma.

First, a reflective text discusses different religious perspectives, in an attempt to build a theological look at the present of trauma. Then, people try to deal with their own memories, without being able to order them, which finally springs up,

from the middle of the shattered memories, a scene of violence and despair, as if the terror of the violence suffered in the recent past emanated to the present in the form of terror in relation to the future. In fragmentary and performative dramaturgy and staging, the play offers three perspectives that complement each other to create a kind of spasm that locates the viewer in the present.

Unfolded from Pasolini's never- ending script project, pornoteokolossal , it points to an attempt to cross, in looking at the present, theological, sexual and political aspects.

Project supported by the Lei de Fomento ao Teatro par a Cidade de São Paulo.